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When it comes to easy playability, affordability and portability, it’s hard to beat a <a
href="https://easttopmusic.com/" target="_self">harmonica.</a> Despite their modest size and
cost, harmonicas are capable of producing an amazing array of tones, and this versatility is
reflected in the music genres in which the mighty little mouth harp plays a part. From the
more obvious categories such as blues, country, and rock to more surprising musical territory
such as jazz and classical music, the harmonica with its often human-like voice easily fits
in.
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In this guide, we’ll look at the many types of harmonicas that are available and
pinpoint those that make sense for beginners as well as harp players and other musicians
looking to expand their repertoires.
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Types of harmonicas
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Though there are a number of specialty harmonicas, the three most common varieties fall
into one of three categories based on how they are tuned: diatonic, chromatic, and <a
href="http://www.easttopmusic.com/tremolo-harmonica/" target="_self">tremolo harmonica</a>.
We’ll focus mainly on these while touching on a few of the less common harmonica types.
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If you want to dive right in, you can browse the huge Musician’s Friend selection of all
types of harmonicas here.
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Diatonic harmonicas
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The most common type of harmonica you’ll encounter in pop, blues and folk music—<a
href="http://www.easttopmusic.com/diatonic-harmonica/" target="_self">diatonic harmonicas</a>
are designed to play in a specific key. That said, overblowing and note-bending techniques
plus playing in alternate “positions” makes it possible to play a diatonic in keys and
modes other than its “official” key. A couple of players, Howard Levy and Carlos Del Junco,
have developed an overblowing technique with which they play chromatically using a humble 10
-hole diatonic harp.
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Blues harp players usually perform in what’s called “cross harp” or “second position.
” This involves playing a harmonica that’s tuned to a perfect fourth below the key the
music’s written in. If a song is in the key of C, an F harmonica will be used. Most blues
use the notes of a pentatonic scale, and playing a G-tuned harp gives you access to notes
that complement the pentatonic C scale, especially on draw notes—those on which you inhale
to produce those wailing “bent” notes that are a cornerstone of blues harp technique.
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There are a number of other positions that skilled harp players use to mesh with other
instruments and create various effects. Cupping your hands around the harp and using your
tongue to block and unblock holes are some of the ways to create rhythmic chordal effects and
tones. You’ll find numerous online resources as well as harmonica books and tutorials that
explain these techniques in detail. We’ll make several recommendations on excellent harp
tutorials below.
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A diatonic harmonica’s simplicity makes it a great choice for the beginner. Most
harmonica teachers recommend starting out with a 10-hole diatonic harmonica tuned to the key
of C.
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As you shop the huge selection of harmonicas at Musician's Friend, you’ll come
across many variations on the basic diatonic harmonica.Take for example the Lee Oskar line of
harmonicas. Designed by the harp player who gave the band War its distinctive sound, some Lee
Oskar models are tuned to minor and other non-standard scales. Many harp players like their
bright, penetrating sound and the fact the company sells replacement reed plates so you can
refurbish an older harp rather than buying a new one.
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Most harp players end up with a collection of diatonic harmonicas from various makers in
a range of keys. Since their cost is far more modest than say, guitars, building a collection
of harps to suit various styles of music and situations is easy to do. We recommend you try a
number of different models to discover which instruments suit your playing style and the
sound you’re going for.
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<a href="http://www.easttopmusic.com/chromatic-harmonica/" target="_self">Chromatic
harmonicas</a>
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Most chromatic harmonicas have a button-activated lever that directs air to two separate
reed plates that include all the notes in the 12-tone western scale. With sufficient skill,
you can play just about any scale or mode using the chromatic’s “gear shift.”
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The larger reeds in the chromatic are somewhat harder to bend and overblow than their
diatonic counterparts. But thanks to their heft, the chromatic is capable of producing some
very rich-sounding chords and effects. Many blues harp players such as Little Walter, Rod
Piazza and George “Harmonica” Smith have used chromatics to generate fat tones that have
led to the blues fan term “Mississippi saxophone.”
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In the hands of a virtuoso like Toots Thielman, a chromatic harmonica can be used to play
complex jazz scales with lightning-fast melodic runs that you’d more likely associate with a
saxophone. Stevie Wonder is another master of the chromatic harmonica. His harp solos on
“Isn’t She Lovely” offer a master class in overblowing techniques.
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Chromatic harmonicas are more difficult to play than diatonics. Therefore, we recommend
beginning with a diatonic and stepping up when you’re ready to take on a more challenging
instrument. Learning to first play in all positions on a diatonic will allow you to graduate
more easily to a chromatic. Even though chromatics are nominally tuned to the key of C or G,
in actuality, if you learn all the appropriate scales and positions, you can play virtually
any music that uses the standard 12-tone scale.
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